T E M P E R A M E N T | Type | Sum | 5th | 3th | |||
Schlick (Dupont) | MM | 804 | ( | 245 | + | 559 | ) |
Corrette | MM | 714 | ( | 209 | + | 505 | ) |
Rameau 1726 (Poletti) | MM | 666 | ( | 189 | + | 477 | ) |
Jägermeister 0 Hz | MM | 607 | ( | 155 | + | 452 | ) |
Rameau (HPSCHD) | MM | 581 | ( | 169 | + | 412 | ) |
Rameau Lindley (1726) | MM | 556 | ( | 148 | + | 408 | ) |
Egarr’s English Ord | MM | 539 | ( | 136 | + | 403 | ) |
Bossart I | MM | 529 | ( | 160 | + | 369 | ) |
Marpurg nr.? | MM | 522 | ( | 130 | + | 392 | ) |
Rousseau 1767 | MM | 517 | ( | 126 | + | 391 | ) |
D`Alembert I | MM | 515 | ( | 131 | + | 384 | ) |
Variable Meantone 6 x1/4 SC | MM | 511 | ( | 132 | + | 379 | ) |
Werckmeister IV | MM | 505 | ( | 181 | + | 324 | ) |
Schlick (Lange) | MM | 504 | ( | 160 | + | 344 | ) |
Hawkes 1807 | MM | 503 | ( | 142 | + | 361 | ) |
Rameau (-1/4 SC) | MM | 480 | ( | 150 | + | 330 | ) |
Veroli | MM | 476 | ( | 113 | + | 363 | ) |
Silbermann II | MM | 473 | ( | 149 | + | 324 | ) |
Werckmeister 1681 II 1691 IV (Poletti) | MM | 466 | ( | 164 | + | 302 | ) |
D`Alembert II | MM | 458 | ( | 117 | + | 341 | ) |
Schlick (Vogel) | MM | 458 | ( | 114 | + | 344 | ) |
Syntonic comma (4-Split) | MM | 454 | ( | 119 | + | 335 | ) |
Padua manuscript 18th (Poletti) | MM | 454 | ( | 119 | + | 335 | ) |
Curve452 | CU | 452 | ( | 105 | + | 347 | ) |
Werckmeister continuo 1/5 SC | MM | 444 | ( | 116 | + | 328 | ) |
Variable Meantone | MM | 438 | ( | 108 | + | 330 | ) |
Schlick (Tessmer) | MM | 434 | ( | 119 | + | 315 | ) |
Curve425 | CU | 425 | ( | 99 | + | 326 | ) |
Bossart III | MM | 416 | ( | 114 | + | 302 | ) |
Schlick (Ratte) | MM | 402 | ( | 125 | + | 277 | ) |
Bossart II | MM | 400 | ( | 142 | + | 258 | ) |
Jägermeister 3.5 Hz | MM | 398 | ( | 102 | + | 296 | ) |
Siracusa | MM | 396 | ( | 97 | + | 299 | ) |
Bach1722.com Interbartolo (2007) 1/4 SC | MM | 392 | ( | 98 | + | 294 | ) |
Curve392 | CU | 392 | ( | 90 | + | 302 | ) |
Werckmeister continuo 1/6 SC | MM | 391 | ( | 105 | + | 286 | ) |
Organ of Hamburg (Schnitger-Orgel, 1993) | MM | 387 | ( | 96 | + | 291 | ) |
Jobin 2005 | MM | 385 | ( | 94 | + | 291 | ) |
Pythagorei comma (6 & 12-Split) | MM | 378 | ( | 117 | + | 261 | ) |
Curve365 | CU | 365 | ( | 84 | + | 281 | ) |
D’Alembert/Rousseau (HPSCHD) | MM | 363 | ( | 93 | + | 270 | ) |
Schlick 1511 Poletti v1 | MM | 360 | ( | 108 | + | 252 | ) |
Schlick 1511 Poletti v2 | MM | 354 | ( | 94 | + | 260 | ) |
Stanford Vogel 1/5 PC | C | 354 | ( | 114 | + | 240 | ) |
Werckmeister continuo 55 comma Poletti | MM | 352 | ( | 92 | + | 260 | ) |
Schlick (Theoretical) | MM | 346 | ( | 91 | + | 255 | ) |
Schlick (Barbour) | MM | 338 | ( | 89 | + | 249 | ) |
Kelletat (1960) | C | 338 | ( | 84 | + | 254 | ) |
Kirnberger II (1771) w/Spanyi`s fringing | C | 330 | ( | 107 | + | 223 | ) |
Kelletat (1966) | C | 329 | ( | 81 | + | 248 | ) |
Bach/Klais | C | 328 | ( | 82 | + | 246 | ) |
French 18th C . Temp. Ordinaire II | MM | 311 | ( | 81 | + | 230 | ) |
Bach/Swich | MM | 311 | ( | 77 | + | 234 | ) |
Curve307 | CU | 307 | ( | 71 | + | 236 | ) |
Padua (pushed to the limit, Poletti) | MM | 303 | ( | 76 | + | 227 | ) |
Kirnberger III (1779) | C | 301 | ( | 79 | + | 222 | ) |
Bach (Kellner, Well-Tempered) | C | 298 | ( | 77 | + | 221 | ) |
Circulating 1/5 PC | C | 298 | ( | 74 | + | 224 | ) |
1/6 PC Modified Meantone | MM | 297 | ( | 89 | + | 208 | ) |
Organ of Freiberg (Silbermann-Orgel, 1985) | MM | 293 | ( | 85 | + | 208 | ) |
Bach (Billeter, Well-Tempered) | C | 292 | ( | 76 | + | 216 | ) |
Bendeler I | C | 286 | ( | 109 | + | 177 | ) |
Lindley Grosvenor | MM | 285 | ( | 72 | + | 213 | ) |
Curve284 | CU | 284 | ( | 66 | + | 218 | ) |
Werckmeister III | C | 282 | ( | 89 | + | 193 | ) |
Jägermeister 5.5 Hz | MM | 281 | ( | 72 | + | 209 | ) |
Rameau 1 6 SC Lehman | MM | 278 | ( | 74 | + | 204 | ) |
Ammerbach (1583)(Interpretation 1) | C | 277 | ( | 117 | + | 160 | ) |
Bruder 1829 (mod.) | C | 276 | ( | 84 | + | 192 | ) |
Kellner | C | 271 | ( | 74 | + | 197 | ) |
Nigel Taylors Idealised Circulating | C | 269 | ( | 70 | + | 199 | ) |
Organ of Weingarten (Gabler-Orgel, 1983) | MM | 258 | ( | 72 | + | 186 | ) |
Stanford var.1/6 PC TUngland | C | 258 | ( | 96 | + | 162 | ) |
Curve258 | CU | 258 | ( | 60 | + | 198 | ) |
Werckmeister V | C | 257 | ( | 117 | + | 140 | ) |
Utopa Baroque organ, Amsterdam | C | 255 | ( | 67 | + | 188 | ) |
Jira (2000) "offen" temperament | MM | 254 | ( | 77 | + | 177 | ) |
Bendeler II | C | 254 | ( | 109 | + | 145 | ) |
Vallotti | C | 254 | ( | 63 | + | 191 | ) |
Young II | C | 254 | ( | 63 | + | 191 | ) |
Wiegleb 1790 | C | 253 | ( | 64 | + | 189 | ) |
Idealised well | C | 252 | ( | 59 | + | 193 | ) |
Stanford Lindley sugg II (from Lehman ) | C | 249 | ( | 72 | + | 177 | ) |
Regularily Varied 5ths | MM | 246 | ( | 57 | + | 189 | ) |
Werckmeister III (Poletti) | C | 242 | ( | 78 | + | 164 | ) |
Neidhardt Dorf (1732) | C | 238 | ( | 68 | + | 170 | ) |
Curve236 | CU | 236 | ( | 55 | + | 181 | ) |
Barnes (1977) | C | 233 | ( | 63 | + | 170 | ) |
Mobbs MacKenzie (2005) 1/4 SC | C | 230 | ( | 65 | + | 165 | ) |
Young 1800 3/16 | C | 226 | ( | 53 | + | 173 | ) |
Wiegleb | C | 223 | ( | 57 | + | 166 | ) |
Young I | C | 217 | ( | 51 | + | 166 | ) |
Stanford var.1/7 PC TUngland | C | 216 | ( | 82 | + | 134 | ) |
Veroli Bach WTC Optimal(2008) | C | 215 | ( | 57 | + | 158 | ) |
Maunder b (2005) | C | 215 | ( | 54 | + | 161 | ) |
Werckmeister continuo 1/7 SC | MM | 213 | ( | 55 | + | 158 | ) |
Lambert | C | 213 | ( | 53 | + | 160 | ) |
Vallotti (Mod.) | C | 212 | ( | 52 | + | 160 | ) |
Werckmeister V (Poletti) | C | 211 | ( | 105 | + | 106 | ) |
Jencka | C | 208 | ( | 55 | + | 153 | ) |
Syntonic comma (5-Split) | C | 208 | ( | 53 | + | 155 | ) |
Bach/Lehman | C | 203 | ( | 63 | + | 140 | ) |
Lindley (1994) (demo-tape) | C | 201 | ( | 48 | + | 153 | ) |
Curve198 | CU | 198 | ( | 46 | + | 152 | ) |
Broadwoods best tuning 1885 | C | 194 | ( | 54 | + | 140 | ) |
Werckmeister continuo 1/8 PC | C | 190 | ( | 50 | + | 140 | ) |
Neidhardt Kleine Stadt 1732 | C | 184 | ( | 51 | + | 133 | ) |
Jägermeister 7.2 Hz | C | 183 | ( | 47 | + | 136 | ) |
Curve181 | CU | 181 | ( | 42 | + | 139 | ) |
Bendeler III | C | 178 | ( | 89 | + | 89 | ) |
Lehman (Bach) (2004) 1/6 SC | C | 175 | ( | 126 | + | 49 | ) |
Mercadier | C | 175 | ( | 44 | + | 131 | ) |
1/7 Comma Well Temperament | C | 173 | ( | 48 | + | 125 | ) |
1/8 comma well temperament | C | 173 | ( | 44 | + | 129 | ) |
Jira (2000) geschlossen temperament | C | 168 | ( | 51 | + | 117 | ) |
Maunder c (2005) | C | 166 | ( | 43 | + | 123 | ) |
Francis (2005) | C | 166 | ( | 43 | + | 123 | ) |
Sorge 1744 Anweisung zur stimmung p23 #2 | C | 164 | ( | 44 | + | 120 | ) |
Jorgensen/ "Händel" circ. 1 25 PC | C | 160 | ( | 47 | + | 113 | ) |
Neidhardt 3rd circle | C | 159 | ( | 63 | + | 96 | ) |
Lindley (1994) "Average Neidhardt" | C | 157 | ( | 40 | + | 117 | ) |
Neidhardt 1732 Grosse Stadt | C | 156 | ( | 44 | + | 112 | ) |
Sorge 1744 Anweisung zur stimmung p23 #1 | C | 156 | ( | 44 | + | 112 | ) |
Curve156 | CU | 156 | ( | 36 | + | 120 | ) |
Sorge 1744 (from Lehman) | C | 150 | ( | 51 | + | 99 | ) |
Barnes (1971) | C | 148 | ( | 44 | + | 104 | ) |
Sorge (1741) Genealogia | C | 146 | ( | 44 | + | 102 | ) |
Pinnock Modern | C | 145 | ( | 38 | + | 107 | ) |
Sorge 1758 Zuverlässige Anweisung p.20 | C | 133 | ( | 44 | + | 89 | ) |
Neidhardt Grosse Stadt 1724 | C | 133 | ( | 44 | + | 89 | ) |
Lucktenberg | C | 133 | ( | 44 | + | 89 | ) |
Bach O Donnell | C | 132 | ( | 51 | + | 81 | ) |
Curve128 | CU | 128 | ( | 30 | + | 98 | ) |
Marpurg VII | C | 109 | ( | 109 | + | 0 | ) |
Marpurg X | C | 63 | ( | 63 | + | 0 | ) |
Equal | C | 0 | ( | 0 | + | 0 | ) |
More than 1600 diagrams , 175 tunings !
(Pinned post ) IMPORTANT :
For those of you who are familiar with cent values in several temperaments, please use the diagram called «Minor cent» in the beginning.
Here you will find cent values for fifths, major thirds and minor thirds within the same graph.
The red vectors is deviation from pure major third and blue vectors for minor third.
In the other diagrams I am using TU, but simply divide values by 30 to get a precise enough cent value.
Pythagorean comma = 23.46 cents = 720 TU
Syntonic comma = 21.51 cents = 660 TU.
(These numbers are easy to divide in 2,3,4,5,6...)
.................
The easiest way to get an overview of historical and newer tunings ! Read the Introduction (1) carefully and the diagrams will tell you much more than all the cent tables on the web.
Many of those who have found the key to the diagrams use this webside a lot.
If you have questions , let me hear, click HERE
MM / CU / C Mixed in SD order
.
Abonner på:
Innlegg (Atom)
Ingen kommentarer:
Legg inn en kommentar